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Print Culture

Print Culture
Author: Frances Robertson
Publisher: Routledge
ISBN: 0415574161
Pages: 164
Year: 2013
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With the advent of new digital communication technologies, the end of print culture once again appears to be as inevitable to some recent commentators as it did to Marshall McLuhan. And just as print culture has so often been linked with the rise of modern industrial society, so the alleged demise of print under the onslaught of new media is often also correlated with the demise of modernity. This book charts the elements involved in such claims—print, culture, technology, history—through a method that examines the iconography of materials, marks and processes of print, and in this sense acknowledges McLuhan's notion of the medium as the bearer of meaning. Even in the digital age, many diverse forms of print continue to circulate and gain meaning from their material expression and their history. However, Frances Robertson argues that print culture can only be understood as a constellation of diverse practices and therefore discusses a range of print cultures from 1800 the present 'post-print' culture. The book will be of interest to undergraduate and postgraduate students within the areas of cultural history, art and design history, book and print history, media studies, literary studies, and the history of technology.

The Perils of Print Culture: Book, Print and Publishing History in Theory and Practice

The Perils of Print Culture: Book, Print and Publishing History in Theory and Practice
Author: Jason McElligott
Publisher: Springer
ISBN: 1137415320
Pages: 242
Year: 2014-09-09
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This collection of essays illustrates various pressures and concerns—both practical and theoretical—related to the study of print culture. Procedural difficulties range from doubts about the reliability of digitized resources to concerns with the limiting parameters of 'national' book history.

The Myth of Print Culture

The Myth of Print Culture
Author: Joseph A. Dane
Publisher: University of Toronto Press
ISBN: 0802087752
Pages: 242
Year: 2003
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The Myth of Print Culture is a critique of bibliographical and editorial method, focusing on the disparity between levels of material evidence (unique and singular) and levels of text (abstract and reproducible). It demonstrates how the particulars of evidence are manipulated in standard scholarly arguments by the higher levels of textuality they are intended to support. The individual studies in the book focus on a range of problems: basic definitions of what a book is; statistical assumptions; and editorial methods used to define and collate the presumably basic unit of 'variant.' This work differs from other recent studies in print culture in its emphasis on fifteenth-century books and its insistence that the problems encountered in that historical milieu (problems as basic as cataloguing errors) are the same as problems encountered in other areas of literary criticism. The difficulties in the simplest of cataloguing decisions, argues Joseph Dane, tend to repeat themselves at all levels of bibliographical, editorial, and literary history.

Agent of Change

Agent of Change
Author: Sabrina Alcorn Baron, Eric N. Lindquist, Eleanor F. Shevlin
Publisher: Univ of Massachusetts Press
ISBN: 1558495932
Pages: 442
Year: 2007
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Inspiring debate since the early days of its publication, Elizabeth L. Eisenstein's The Printing Press as an Agent of Change: Communications and Cultural Transformations in Early-Modern Europe (1979) has exercised its own force as an agent of change in the world of scholarship. Its path-breaking agenda has played a central role in shaping the study of print culture and "book history"--fields of inquiry that rank among the most exciting and vital areas of scholarly endeavor in recent years. Joining together leading voices in the field of print scholarship, this collection of twenty essays affirms the catalytic properties of Eisenstein's study as a stimulus to further inquiry across geographic, temporal, and disciplinary boundaries. From early modern marginalia to the use of architectural title pages in Renaissance books, from the press in Spanish colonial America to print in the Islamic world, from the role of the printed word in nation-building to changing histories of reading in the electronic age, this book addresses the legacy of Eisenstein's work in print culture studies today as it suggests future directions for the field. In addition to a conversation with Elizabeth L. Eisenstein, the book includes contributions by Peng Hwa Ang, Margaret Aston, Tony Ballantyne, Vivek Bhandari, Ann Blair, Barbara A. Brannon, Roger Chartier, Kai-wing Chow, James A. Dewar, Robert A. Gross, David Scott Kastan, Harold Love, Paula McDowell, Jane McRae, Jean-Dominique Mellot, Antonio Rodr'guez-Buckingham, Geoffrey Roper, William H. Sherman, Peter Stallybrass, H. Arthur Williamson, and Calhoun Winton.

Print Culture in Renaissance Italy

Print Culture in Renaissance Italy
Author: Brian Richardson
Publisher: Cambridge University Press
ISBN: 052189302X
Pages: 284
Year: 2003-12
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The emergence of print gave new importance to editors, who determined the form and context in which texts would be read. Brian Richardson examines the Renaissance production and reception of works by Dante, Petrarch, Boccaccio and others, and explores the impact of new printing and editing methods on Renaissance culture.

The Gutenberg Revolution

The Gutenberg Revolution
Author: Richard Abel
Publisher: Routledge
ISBN: 1351481657
Pages: 200
Year: 2017-07-12
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One of the most puzzling lapses in accounts of the rise of the West following the decline of the Roman Empire is the casual way historians have dealt with Gutenberg's invention of printing. The cultural achievements that followed the fifteenth century, when the West moved from relative backwardness to remarkable, robust cultural achievement, would have been impossible without Gutenberg's gift and its subsequent widespread adoption across most of the world. Richard Abel follows the radical cultural impact of the printing revolution from the eighth century to the Renaissance, addressing the viability of the new Christian/Classical culture. Although this culture proved too fragile to endure, those who salvaged it managed to preserve elements of the Classical substance together with the Bible and all the writings of the Church Fathers. The cultural upsurge of the Renaissance (fourteenth to seventeenth centuries), which resulted in part from Gutenberg's invention, is a major focus of this book. Abel aims to delineate how the cultural revolution was shaped by the invention of printing. He evaluates its impact on the rapid reorientation and acceleration of the cultural evolution in the West. This book provides insight into the history of the printed word, the roots of modern-day mass book production, and the promise of the electronic revolution. It is an essential work in the history of ideas.

Print Culture in a Diverse America

Print Culture in a Diverse America
Author: James Philip Danky, Wayne A. Wiegand
Publisher: University of Illinois Press
ISBN: 0252066995
Pages: 291
Year: 1998-01-01
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Winner of the Carey McWilliams Award given by MultiCultural Review, 1999. In the modern era there arose a prolific and vibrant print culture--books, newspapers, and magazines issued by and for diverse, often marginalized, groups. This long-overdue collection offers a unique foray into the multicultural world of reading and readers in the United States. Interdisciplinary essays examine the many ways print culture functions within different groups; they link gender, class, and ethnicity To The uses and goals of a wide variety of publications; and they explore the role print materials play in constructing certain historical events, such as the Titanic disaster.

Print Culture and the Early Quakers

Print Culture and the Early Quakers
Author: Kate Peters
Publisher: Cambridge University Press
ISBN: 0521770904
Pages: 273
Year: 2005-02-24
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The early Quaker movement was remarkable for its prolific use of the printing press. Carefully orchestrated by a handful of men and women who were the movement's leaders, printed tracts were an integral feature of the rapid spread of Quaker ideas in the 1650s. Drawing on very rich documentary evidence, this book examines how and why Quakers were able to make such effective use of print. As a crucial element in an extensive proselytising campaign, printed tracts enabled the emergence of the Quaker movement as a uniform, national phenomenon. The book explores the impressive organization underpinning Quaker pamphleteering and argues that the early movement should not be dismissed as a disillusioned spiritual remnant of the English Revolution, but was rather a purposeful campaign which sought, and achieved, effective dialogue with both the body politic and society at large.

Print Culture and Peripheries in Early Modern Europe

Print Culture and Peripheries in Early Modern Europe
Author: Benito Rial Costas
Publisher: BRILL
ISBN: 9004235744
Pages: 421
Year: 2012-11-09
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This volume seeks to enhance our understanding of printing and the book trade in small and peripheral European cities in the 15th and 16th centuries through a number of specific case studies.

Romantic Periodicals and Print Culture

Romantic Periodicals and Print Culture
Author: Kim Wheatley
Publisher: Routledge
ISBN: 1135756716
Pages: 172
Year: 2004-11-23
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Building on a revival of scholarly interest in the cultural effects of early 19th-century periodicals, the essays in this collection treat periodical writing as intrinsically worthy of attention not a mere backdrop to the emergence of British Romanticism but a site in which Romantic ideals were challenged, modified, and developed. Contributors to the volume discuss a range of different periodicals, from the elite Quarterly and Edinburgh Reviews, through William Cobbett's populist weekly newspaper Two-Penny Trash, to the miscellaneous monthly magazines typified by Blackwood's. While some contributors to the volume approach the phenomenon of Romanticism within periodical culture from a more materialist standpoint than others, several elaborate upon recent intersections between Romantic studies and gender studies.

Everything Was Better in America

Everything Was Better in America
Author: David Welky
Publisher: University of Illinois Press
ISBN: 0252092813
Pages: 280
Year: 2010-10-01
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As a counterpart to research on the 1930s that has focused on liberal and radical writers calling for social revolution, David Welky offers this eloquent study of how mainstream print culture shaped and disseminated a message affirming conservative middle-class values and assuring its readers that holding to these values would get them through hard times. Through analysis of the era's most popular newspaper stories, magazines, and books, Welky examines how voices both outside and within the media debated the purposes of literature and the meaning of cultural literacy in a mass democracy. He presents lively discussions of such topics as the newspaper treatment of the Lindbergh kidnapping, issues of race in coverage of the 1936 Olympic games, domestic dynamics and gender politics in cartoons and magazines, Superman's evolution from a radical outsider to a spokesman for the people, and the popular consumption of such novels as the Ellery Queen mysteries, Gone with the Wind, and The Good Earth. Through these close readings, Welky uncovers the subtle relationship between the messages that mainstream media strategically crafted and those that their target audience wished to hear.

Women and Writing, C.1340-c.1650

Women and Writing, C.1340-c.1650
Author: Anne Lawrence-Mathers, Phillipa Hardman
Publisher: Boydell & Brewer
ISBN: 1903153328
Pages: 238
Year: 2010
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Essays offering a gendered approach to the study of the move from manuscript to early printed book show how much women were involved in the process.

Print Culture, Crime and Justice in 18th-Century London

Print Culture, Crime and Justice in 18th-Century London
Author: Richard M. Ward
Publisher: Bloomsbury Publishing
ISBN: 1472511905
Pages: 256
Year: 2014-08-28
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In the first half of the 18th century there was an explosion in the volume and variety of crime literature published in London. This was a 'golden age of writing about crime', when the older genres of criminal biographies, social policy pamphlets and 'last-dying speeches' were joined by a raft of new publications, including newspapers, periodicals, graphic prints, the Old Bailey Proceedings and the Ordinary's Account of malefactors executed at Tyburn. By the early 18th century propertied Londoners read a wider array of printed texts and images about criminal offenders ? highwaymen, housebreakers, murderers, pickpockets and the like ? than ever before or since. Print Culture, Crime and Justice in 18th-Century London provides the first detailed study of crime reporting across this range of publications to explore the influence of print upon contemporary perceptions of crime and upon the making of the law and its administration in the metropolis. This historical perspective helps us to rethink the relationship between media, the public sphere and criminal justice policy in the present.

Muslim Identity, Print Culture, and the Dravidian Factor in Tamil Nadu

Muslim Identity, Print Culture, and the Dravidian Factor in Tamil Nadu
Author: J. B. Prashant More
Publisher: Orient Blackswan
ISBN: 8125026320
Pages: 329
Year: 2004-01-01
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This work is an original attempt to study the influence of print technology on the Muslims of Tamil Nadu and their literature. It is based on the literary works published by the Tamil Muslims from 1835, when restrictions on printing were removed, to 1920 when they participated in the Khilafat movement. By extension, the study of this literature becomes a study of the origin, society, and identity of the Tamil Muslims.

Book & Print in New Zealand

Book & Print in New Zealand
Author: Douglas Ross Harvey, K. I. D. Maslen
Publisher: Victoria University Press
ISBN: 0864733313
Pages: 352
Year: 1997-01-01
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A guide to print culture in Aotearoa, the impact of the book and other forms of print on New Zealand. This collection of essays by many contributors looks at the effect of print on Maori and their oral traditions, printing, publishing, bookselling, libraries, buying and collecting, readers and reading, awards, and the print culture of many other language groups in New Zealand.

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